Looking at the variables of different filmsPosted by: admin | Posted on: July 8, 2019
film grain: this is generally primarily based on ISO – as in digital images, where high ISO pace consequences in photonoise, higher film velocity normally results in greater movie grain. this is suitable for a few pics i.e. in case you‘re trying to get a gritty street photo and many others. however would now not work with a landscape with sky and water whereinyou’re seeking out smooth easy textures. a few types of movie actually cope with grain higher than others, so this is in which using movies and seeing real results enables greater than just analyzing about the idea. for example, Kodak Ektar is supposedly the greatest grain colour film inside the global! Having used each Ektar (ISO 100) and Fuji Reala (ISO a hundred), I clearly can’t spot the distinction among the two. however, the use of a black and white Kodak Tri-X four hundred, and compared to a Kodak T-Max four hundred, I discover the Tri-X to be fairly grainier than the T-Max. howeverlike I stated, some grain will accentuate a image, and enhance it…do no longer be afraid of grain
colour saturation: glaringly applying best to color movie, a few movie has the tendency to over-saturate and supplyartificial, faux colors – a few films provide fantastically herbal shades, saturated just proper, and some actually have a barely laid again appearance to it that appears splendid. Of direction, a few appearance flat and dull – you cancompetently keep away from this form of movie in case you sense it is flat. In black and white film too, the tones of the grays range with assistir every movie – a few have harsh tones, and rarely display any definition among black and white, even as a few have lovely grey mid-tones, and others have a terrifi silvery look to the grays
contrast: yes, contrast varies too. To me, this is in particular significant and vital in black and white film. I decide on my black and white movie to have a medium to excessive evaluation – low comparison does not work for me, even thoughi’ve seen brilliant examples of low comparison black and white shots. So once more, test!
From the exceptional kinds of film i’ve used (i’ve been sticking to negatives), here are a few characteristics that i’vereferred to:
Fuji Superia/Superia X-Tra (two hundred, four hundred): my trendy colour movie. reasonably-priced, dependable, excellent. i like the colours on this. no longer too contrasty, now not very saturated… in reality i might say the colors are barely laid lower back. Grain is high-quality, and for ISO 400, i might in no way call it grainy. For random colorphotographs, and especially to test new cameras/lenses, that is my pass-to movie
Fuji Reala (a hundred): a professional grade film, that is one of the greatest grain films i have used. colorations are greatersaturated than the Superia, but no longer too. quite contrasty, and again, stunning best grain. likely my favored C41 film
Kodak Ektar (one hundred): every other professional grade colour film. i would say the grain is as satisfactory because the Reala, despite the fact that Kodak claims this to have grain finer than another! first-rate hues too, and qualityassessment. like the Reala, i would use this for landscapes, and keep away from snap shots – this type of saturation isn’tvery flattering for pores and skin.